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She Makes Both Joy and Heartbreak Sound so Good
from Associated Content
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Peyroux is shockingly good ...
by Mark Runyon for PM Media Review (2/24/2005)
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... "Careless Love" is like a musical marriage.
WBUR.org - Boston
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No false emotion: Madeleine Peyroux returns to interpret the greats
By Alan Lewis (5/27/2005)for the Vermont Guardian
- Third album by Lady Day devotee from Athens, Georgia
Norah Jones and Jane Monheit may have spawned a cutesy genre of jazz-lite
chirping, but it's one that Peyroux neatly sidesteps. Here, less is
definitely more. Accompanied by piano, guitar, string bass, lightly brushed
snare drum and occasional gospel organ, Careless Love has the same
live-in-the-studio ambience that made Peggy Lee's Black Coffee a benchmark
album. An interpretive artist as opposed to a nothing-to-say
singer-songwriter, Peyroux avoids the overworked wine bar songbook,
bringing new sensibilities to Leonard Cohen's "Dance Me To The End Of Love"
and Dylan's "You're Gonna Make Me Lonesome When You Go".
by Roy Carr for Uncut (issue 95) (thanks to Martin Shori)
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...Peyroux is ten times the singer that Jones is...
by T.J. Simon for The Music Box (March 2005, Volume 12, #3)
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...this is Madeleine Peyroux.
By Frankie Hagan (12/2004) for The Port Halcyon Daily Review
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... this record evokes the restless after-hours mood of strolling on the streets of Paris...
By David Chiu for NewsBeats
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Im Namen Der Herrn. Mit Madleine Peyroux aufersteht Billie Holiday.
(in German)
by Peter Rüedi for Die WeltWoche
by David Skinner (2/25/2005) for The Daily Standard